Ideas

Spring 2017 Florida Art Exhibitions

Spring 2017 Florida Art Exhibitions

March 17, 2017

Florida’s vibrant art scene is as warm and inviting as the spring breezes this 2017. These top 10 amazing and unique exhibits, festivals and galleries showing throughout Florida this spring have something for everyone from photography, sculptures, interactive art and of course, fine art paintings. The venues are as unique as the art itself featuring stone sidewalk festivals to intimate smaller galleries.

Source: Artist Rebecca Loveless, 2017 Delray Affair poster art

  1. 1. GLASSTRESS

Through July 2, 2017

BOCA RATON MUSEUM OF ART

Boca Raton

Glasstress features 25-30 glass installations created by contemporary artists from around the world. Works included in the Glasstress Boca Raton exhibition incorporate performance, video, interactive media, design, and even video games.

  1. 2. MARKING THE INFINITE

Contemporary Women Artists from Aboriginal Australia

Through May 14, 2017

The Patricia & Phillip Frost Art Museum, Miami

Nine Australian artists are revered matriarchs, commanding leadership roles and using art to empower their respective communities. Their works offer a glimpse into the diverse contemporary art practice of Aboriginal Australia, with subject matter ranging from remote celestial bodies and the native bush plum’s tiny flowers to venerable crafts traditions and women’s ceremonies.

  1. 3. DANDY LION (RE)ARTICULATING BLACK MASCULINE IDENTITY

Through MAY 21, 2017

Lowe Art Museum, University of Miami

The first comprehensive exhibition of its kind, this project highlights young men in city-landscapes who defy stereotypical and monolithic understandings of Black masculinity by remixing Victorian-era fashion with traditional African sartorial sensibilities.

  1. 4. GALLERY NIGHT

Recurring weekly on Fridays 6 – 10 PM

Village Design

Fort Lauderdale

Every Friday, Village Design will open their doors to unexpected cool experiences, such as art films, workshops, lectures, game night, or art exploration. Gallery night is a creative initiative with a purpose of developing a space that promotes art and culture in the Fort Lauderdale Beach area.

  1. 5. TAMARAC ARTS & CRAFTS FESTIVAL

April 1-2, 2017

Tamarac Chamber of Commerce

Over 90 Arts and Crafts booths showcase their fine art, jewelry, photography, woodworking, handcrafts and so much more.

  1. 6. DOWNTOWN MELBOURNE… FESTIVAL OF THE ARTS ON NEW HAVEN AVENUE

March 25-26, 2017

Melbourne Festival of the Arts

836 East New Haven Avenue in Melbourne, FL

This fine art festival has all the key elements that make an event memorable- over 140 artists to the heart of downtown Melbourne, Florida with 30 trendy restaurants, exciting bars and unique retailers nearby.

  1. 7. DELRAY AFFAIR

April 7 – April 9, 2017

Downtown Atlantic Avenue, Delray Beach, FL

The Delray Affair is the largest arts & craft festival in the Southeast United States and 2017 is its 55th year. Stroll the bricked sidewalk of south Florida’s oldest outdoor festival while live music fills the air, regional food favorites and more than 800 vendors featuring hand-crafted arts and crafts.

  1. 8. CORAL GABLES GALLERY NIGHT

April 7 @ 6:00 pm – 10:00 pm

169 Madeira Avenue Miami, FL

On the first Friday each month, Virginia Miller and the Coral Gables Gallery Association organize Coral Gables Gallery Night with participation by many of the best local galleries, featuring free City trolley travel between Galleries.

  1. 9. ARTSPACE/VIRGINIA MILLER GALLERIES

No set exhibit listed currently

For more than 42 years, Virginia Miller has introduced artists with unique personal visions and techniques to the South Florida art community. These have included numerous mid-career Latin American artists and international artists as well as a number of historically significant modern Latin American masters. A must-see fine art gallery in South Florida.

  1. 10. “HUMAN NATURE” IRVIN RODRIGUEZ SOLO EXHIBITION

April 1—June 1, 2017

Sirona Fine Art, Hallandale Beach, FL

Artist Irvin Rodriguez is holding his first solo exhibition “Human Nature.” Rodriguez’s paintings are primarily figurative works that are grounded in reality.
Wishing you a fabulous Florida art excursion this spring or summer!



Shop Shots Summer 2012

Shop Shots Summer 2012

November 22, 2012

It’s been a busy summer around the shop. After our move to the new shop last winter we have been getting the new space working the way we like, adding new machines, new frames and more.

Heineken

Marketing Posters for Heineken stretched on our Gallery Wrap bars

StretchedCanvases

Our quality and craftsmanship goes beyond the product. We also make great custom crates! The one seen here is being loaded with pre stretched 1 1/2 ” Gallery Canvases in a variety of sizes spec’d by the artist.

StretchersToGo

Someone will be tearing into this fun package soon (apologies if it takes a minute or two to open … we’re big on safe shipping!)

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A great product presentation by one of our customers in their framing shop and gallery.

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We have also been building up our stock of the new, and popular, Gallery bars and braces. We pride ourselves on speedy order turn arounds and our stock supplies help make that possible.

Have you got a photo of one of our products in one of your projects ? We’d’ love to check it out if you do. You can always shoot us an email at sales@ucsart.com

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filed under Info.


Shirley Cordes-Rogozinsky - Painter, Alberta

Shirley Cordes-Rogozinsky - Painter, Alberta

Shirley Cordes-Rogozinsky, a prairie painter of space and place….

I find her paintings both exciting and tranquil. I don’t know how she does that…

Strange yet somehow familiar and compelling images as if a text that I can almost read and wish to stay with finding its message…I understand her love of maps, of looking down on surfaces an aerial view travelling in imagination over landscapes decorated in brilliant metallic colours . I am as excited in front of them as if I were journeying in new territory, …These are floating, magical worlds yet utterly safe and peaceful I wish my favorite cafe were decorated with them, to take me for a time out of this noisy busy place onto a road to enchantment… yes the word is enchanting, a chant, a song compelling magic.

In her words:

I lived a nomadic, transient life. No matter where I lived (that being many, many places), I carried that sense of place, my “prairie,” deep inside me.

Now I live in St. Albert, Alberta, maintaining a full time studio practice in Edmonton. In addition to painting full time, I work 3D in clay and am an avid gardener. My hands, working hands, always dirty; covered in paint or soil…linked to the earth literally and visually…my prairie.

Shirley Cordes-Rogozinsky Slideshow and conversation with Donato:

Introduction and How Started
Media and Themes
Evolving
Marketing

Her website, more on her bio, her statement, more magic….

filed under Artist Bios - Canvassing the Artists, Featured.


Shansi Miller - Painter, Virgin Islands

Shansi Miller - Painter, Virgin Islands

Shansi is a wonderful artist living in the Virgin Islands in the Atlantic ocean where it’s spring probably all year round, or nearly all year, a wonderful place to live and work. Her work is historical, astonishing, very very colorful, detailing the people of that part of the world and the sensuous way they live. Looking at her paintings I feel as if I as if I’m reading one of those books that used to fascinate me when I was younger about people in faraway places and their exotic lives. It truly takes me right away from daily upsets, the best function of good art.

From her website:

“Born on the island of St.Thomas, Shansi Miller is celebrated for her ability to capture the vibrancy of the West Indian culture in which she was raised. Her pieces, which are highly sought after by local and mainland collectors, are immediately distinguishable by their careful execution, intricate details, compositional complexity, and rich narratives. Each figurative piece captures the subtleties and exchanges that exist in a transient moment, telling its own unique and culturally vivid story. A subject’s emotions, whether conveyed through a delicate gesture or enigmatic facial expression, is left open to interpretation by the observer. ” I have my own story about each of my works,” says the artist, “but I prefer it when the viewer brings their own perception. That way they create a personal story which is unique only to them.” It is a tribute to Shansi’s power as an artist that her work has such differing and specific effects on viewers.”

Here are some slideshow pictures with her interview narrative:

How Started
Media/Theme
Evolving to?
Marketing
Dialog Finale, the Lady in Red, mutual reflections…

A slideshow click here

Her web site www.shansimiller.com

filed under Artist Bios - Canvassing the Artists, Featured.


See Artist John Mccoy Assemble A 12' X 5' Mural Canvas Stretcher

See Artist John Mccoy Assemble A 12' X 5' Mural Canvas Stretcher

March 23, 2018

When John McCoy received his 12’x5′ canvas stretcher kit from Upper Canada Stretchers, he decided to film the process of putting it together and turn it into a time-lapsed video. John kept the camera rolling as he unpackaged his stretcher bars and supplies, assembled the stretcher, stretched his canvas and primed it in preparation for painting.

It was all a part of a project for All Saints Academy in Grand Rapids, Michigan. John is a Catholic artist and this particular piece incorporated the namesakes of the four local parishes involved in the founding of All Saints Academy: Blessed Sacrament, St. Alphonsus, St. Isidore, and St. Jude. The large canvas mural will commemorate the school’s history and will surely inspire students for generations to come.

Ready? Watch John expertly assemble his canvas stretcher in preparation for painting another of his excellent murals.

You can follow John on Facebook here to keep up with all his latest projects.

Tags: Choose the Right Stretcher Bars Fine Art Education How to stretch canvasLarge canvas Video


See A Large Canvas Painting Stretch & Install Start to Finish [Video]

See A Large Canvas Painting Stretch & Install Start to Finish [Video]

May 16, 2017

You’ve probably heard us say it before, but good art deserves good bones! When your art spans an entire wall, those bones need a few special features to ensure they’ll remain strong, straight and sturdy over time.

Large Canvas Stretch & Install

A professional installer stretches a large canvas over stretcher bars.

In this time-lapse video of a large canvas being installed on a 7’ x 20’ stretcher frame, you can see a few of those special features. The frame is constructed of laminated stretcher bars, which are critical in frames over 8’ in width or height. Long pieces of solid wood tend to bend and warp over time; joining lengths of laminate together produces long bars that will stay straight over the life of your canvas.

You’ll also see that the installer places keys in the frame and gently taps them into place, applying even tension across the canvas. These will be adjusted as needed, to keep the canvas tight and your painting looking its best. Custom hardwood keys can be made to fit any type and size of stretcher.

In this video, the painting is hung with gravity bars to support the additional weight of a canvas this size. You can get gravity bars and stretcher frames not only for large canvases, but for irregularly shaped ones, as well (learn more about that here).

It took about 3 hours for the installer to complete this project, but you can see how it works in under 2 minutes. Check it out:


Pro tip: Have someone on hand to help you stand the canvas up and check the tension before hanging on your gravity bars. You’ll want to adjust your keys before securing to the wall, if needed.

Want to learn more about stretching canvas?


LOOKING TO ORDER ONLINE? WE HAVE CUSTOM SHAPED CANVASES!
SHOP OUR ONLINE STORE FOR ART SUPPLIES

north-american-art-supplies

Tags: Fine Art Education How to stretch canvas


Sasha Lozaic - Painter, Vancouver, BC

Sasha Lozaic - Painter, Vancouver, BC

Sasha Lozaic, a Master of Painting, living and working in Vancouver, British Columbia where the powerful landscape generated by high granite mountains thrown up by unimaginable geologic forces and the constant presence of the world’s largest ocean seeking to tear away and destroy them, inevitably gets reflected in the passion he brings to his craft.


Round & Irregularly Shaped Canvas stretchers: Endless Possibilities, Expert Process

Round & Irregularly Shaped Canvas stretchers: Endless Possibilities, Expert Process

June 27, 2017

Irregularly Shaped Canvas Stretchers

It’s critically important that your canvas frame has perfectly square corners adjoining straight, true stretcher bars… most of the time.

But what if your project is a little outside of that box? An artist’s vision isn’t always contained within the confines of four straight lines. In fact, some aren’t just painting outside the lines–they’re moving the lines entirely with round, oval, arched and even 3D canvas frames.

In this post, we’ll learn more about what goes into making an irregularly shaped frame, and explore stunning examples of unusually shaped canvases to perhaps inspire a project of your own!

WHAT DIFFERENT SHAPES DO CANVAS STRETCHERS COME IN?

Custom frames can come in any size and shape you desire, from geometric shapes like triangles and ovals to irregular designs you’ve dreamed up. Over the years we’ve created round and shaped stretchers over 19 feet in diameter!

Round Shaped Canvas StretchersA custom 19-foot round canvas frame goes through quality checks in the Upper Canada Stretchers workshop.

Of course, the larger the frame, the greater the demands for support. Rounded frames this large are achieved by first precision-cutting plywood strips using our CNC machine, then laminating them together for maximum strength. Cross-bracing adds support, and gravity bars are recommended for hanging.

Learn More About Irregularly Shaped Stretchers

CNC machining also enables us to create arched and other irregularly shaped canvas frames, like these ones for artist, Landon Metz.

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Irregularly Shaped Canvas
These arched and irregular stretcher frames were designed and machined in Owen Sound, then shipped to Denmark for assembly and mounting.

Custom design and machining means that shipping and assembly can also be taken into account; in this case, we used flush joint connector bolts to assemble the frame. That made for simple disassembly and reassembly–an important feature considering the frames were being transported from North America to Denmark!

ARE IRREGULARLY-SHAPED CANVAS FRAMES WEAKER THAN SQUARE OR RECTANGULAR FRAMES?

Not anymore. You can imagine the challenges of creating a rounded frame in decades past when woodworking techniques like steaming or cutting and glueing to bend wood resulted in beautifully arched pieces. The problem is, those techniques were typically used to bend wood that would then be supported by other structure; the pieces were used as decorative trim, or countertop edging.

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Elora artist Joel Masewich’s ‘Road Less Travelled,’ canvas over UCS-made CNC panels with stainless steel and acrylic, 54 x 192 inches. Photo: JoelMasewich.com.

Your canvas frame has to be able to stand on its own, so to speak - to support the weight of your canvas and keep it tight, to prevent damage to your piece. Today, the combination of modern machining and proven design principles enable us to create beautiful atypically shaped frames with all of the strength and durability of their square counterparts.

In fact, our rounded and arched frames can be made keyable, so you can adjust the tension of your canvas over time, just as you would with any other frame. (Not sure whether you need a keyable canvas? See this post on what keyable means and why it matters.)

keyable oval canvas stretcher frame from UCSart

Above is a keyable shaped stretcher frame design and below, a fixed strainer frame which is not keyable.

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Look for a design that has a raised edge to keep your canvas from rubbing against the wood on your rounded frame.

One other important design feature you want to see is a raised edge, a front "fall" or slope, on your irregularly-shaped frame. This reduces the canvas's contact with the frame except at the very edge, preventing "ghosting" marks if the canvas were to touch the inside edge of the frame as you are pushing on the canvas while painting. Having too much contact with the wood underneath can also wear at the canvas over time.

EXPERT TIPS FOR STRETCHING CANVAS ON IRREGULARLY-SHAPED FRAMES

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Superior design and careful machining ensure that even your irregularly-shaped canvases will remain a strong, durable support for your best works throughout their lifetime.

  • When stretching canvas onto a round or other shaped frame, always start with unprimed cotton or linen canvas over the frame first, then prime it. Unprimed canvas is more flexible, helping prevent unsightly folds or pleating in the canvas when you’re stretching over a round, oval, or arched frame. The thicker your frame, the more difficult it is to prevent canvas folds (and the more important it becomes to work with unprimed canvas).
  • Choose carefully between cotton and linen canvas for your irregularly-shaped project. How comfortable are you stretching your own canvas? How large is the piece? What’s your budget? Learn more about the differences between cotton and linen for different types of projects in this post.
  • Where will your piece hang? How far is it being shipped? Will you need to move the piece often, and do you need a keyable stretcher frame? It’s helpful for the team designing your irregularly-shaped frame to understand how factors like the type of canvas and paint you plan to use, humidity levels and temperatures in the area the piece will be displayed in, (and more) might affect the materials and techniques required to make the best frame for your unique needs. Talk with a custom frames expert to see exactly what you need to bring your vision to life.

WANT TO LEARN MORE?

Learn More About Irregularly Shaped Stretchers

Tags: Shaped Canvas Stretchers


Ralph Siferd - Still Life Painter, Orillia, Ontario

Ralph Siferd - Still Life Painter, Orillia, Ontario

Ralph Siferd lives in the forest between Barrie and Orillia in southern Ontario. His pictures are gorgeous still lifes that exemplify a serious and highly accomplished talent, and sensitivity to what he’s looking at.

If you go to his website the first thing you see is a seashell gorgeously coloured, so lovely it looks like it should last 1000 years, who owns it will want to keep it forever. Owning his pictures would prolong my life, just to be around to be with them…

Here’s what the bio on his website says:

“Ralph Siferd was born in Calgary, Alberta and studied there at the Alberta College of Art. He travelled to Egypt, Greece and Europe visiting galleries and historic sites before returning to Calgary to study at University of Alberta, graduating with a degree in Art History. In his paintings Ralph has focused on still life images predominantly in the style of 18th and 19th century Dutch and French painters.
Ralph also likes to paint animals, especially dogs, and he occasionally paints landscapes.

Ralph now lives in southern Ontario with his wife and parrot.”

Listen to my interview with Ralph, his experience with old techniques, click the clips below:

Introduction

How Started

Media and Theme

Evolving

Marketing

Ralph Siferd Web Site: https://www.ralphsiferd.com/index.html

filed under Artist Bios - Canvassing the Artists, Featured.


Quebec Artist: Magical Graphic Illustrations Of The Human Figure

big red illustraationBorn in England, Ingrid Style’s first memories are of the beautiful children’s books of the nineteenth century illustrators, Arthur Rackham, Edmund Dulac, Kai Neilson etc.

The stylized figures suggested alternate worlds of infinite possibilities. Ingrid’s natural inclination is to the surreal, the dream, the vision… and, for her, the form these take must have the rhythm and line of the natural world. Colours should be psychedelic.

On a ship to Brazil, when she was 6 years old, a sailor was kind enough to show her how to draw. The forms that grew from the end of his pen bewitched her. A childhood in Rio, with Carnaval’s wild exuberance, affected her deeply and permanently; as did the religious practices of Makumba, with its strange associative-magic rituals.

She studied drawing and painting at the Ontario College of Art when the art world was under the spell of abstract expressionism. Because of the times, artists that she was drawn to, such as Parmagianno, Pontormo and Gustave Klimt were frowned on as ‘’Mannerists’’ by some. She felt at home with the tension in these works. Then in 1995, the Symbolist Exhibition at the Montreal Museum of Fine Artswas a breath of fresh air and was hugely inspiring to her.

She starts, not with an idea, but a line: The line soon shows me what needs to be expressed. I do my best to follow it, riding my unconscious mind as one would a dressage horse … following the impulse but remaining in control.

The result almost always appears to be the human soul’s searching struggle for birth and release.

In 1984, The Portuguese poet Fernando Pessoa wrote:
Ah! How often my own dreams arise before me as things, not to replace reality, but to declare themselves its equal.

And of Style’s work, William Ronalds said:
These are fascinating drawings of fluid night visions brought taut in the daylight hours.

Ingrid presently lives and works at the foot of Mont St Hilaire, Quebec:
Below me flows the Richelieu River.
Over the years, I have heard all sorts of wonderful stories about this ‘magic mountain’ : rocks that feed the spirit, visits from extraterrestrial vessels, and that no crucifix can remain on its summit.

INGRID STYLE WEBSITE

INGRID STYLE ART GALLERY


Profile: Upper Canada Stretchers (From Mosaic Magazine)

Profile: Upper Canada Stretchers (From Mosaic Magazine)

June 10, 2018

Upper Canada Stretchers Team

Would you believe that some of the finest artworks and photography on canvas in North America are protected by supports crafted right here in the City of Owen Sound? For over 17 years, the professional woodworkers at Upper Canada Stretchers have engineered and manufactured professional-grade stretcher bars and custom art canvas supports. Today, their products are recognized as the best quality supports available to fine artists, art conservators, galleries and fine art institutions across Canada and the United States.

When the Smithsonian American Art Museum and the Renwick Gallery in Washington, D.C., sought to display five massive paintings by American Color Field artist Gene Davis (1920-1985), they retained Upper Canada Stretchers to design and produce the requisite canvas stretchers.

Cory Trépanier of Caledon, Ontario, turned to the UCS shop to produce a 5.5 x 15 foot canvas stretcher for his oil on canvas, ‘The Great Glacier.’ It had already destroyed a weaker frame and needed to be readied for exhibition around the U.S.

Just recently, Artsy recognized Seattle-based Miriane Ibrahim Gallery’s booth at The Armory Show, a leading New York City art fair, as one of the top exhibitions in show.

Shaped booth supports at The Armory Show

The booth’s walls consisted of six black, screen-like panels with cutouts in the shape of Liberian fishing nets, to complement the African and Middle Eastern symbolism-influenced gilded works of artist Lina Iris Viktor. The exceptional panels were designed and crafted right here at Upper Canada Stretchers, in Owen Sound.

From its eastside shop and warehouse, Upper Canada Stretchers ships daily across North America. Its e-commerce store enables the manufacturer to sell canvas stretcher bars, gallery wrapped canvas, fine cotton and Belgian linen canvas and more direct to consumer. Upper Canada Stretchers is often called upon for custom consultations online and on-site, as well, and has engineered fine art supports over 30-feet wide.

Founded by Bob Nadon in 2001, Upper Canada Stretchers now employs nine people in its 7000 sq ft facility. Visit their website at http://ucsart.com to learn more about this homegrown business with international reach.

Early in 2018, Nadon and co-founder Grant Nicholson launched Upper Canada CNC Studio, a signage and CNC design studio, in the same space.

Originally published in the April edition of Grey Bruce MOSAIC magazine.

Tags: company news UCS


Piece of Worlds Largest Painting Sold for Charity

Piece of Worlds Largest Painting Sold for Charity

November 26, 2012

One of Croatia’s lesser known claims is that it is home to the world’s largest painting – and now the artist Djuro Siroglavic is giving Croatian Times readers the chance to own a piece of the record-breaking artwork. The painting, titled `Wave`, was classified as the largest painting in the world by the Guinness Book of Records last month measuring at a whopping six kilometres long. But now Siroglavic wants to make the most of the paintings fame by selling a small piece of it for charity. He said, “The painting became famous and I feel this is the moment when it can help children.

“I’ll cut a 140×70 cm piece of the painting that will fit on someones wall slightly better than the original.” The unique piece of artwork will go the the highest bidder and bids start at 150 Euros.

The complete painting is 6,400 metres long, over two metres tall and weighs about 5.5 tons. The painter and two assistants responsible for the painting worked on it from February until July last year at Zagreb`s Borongaj army barracks. They used more than 2.5 tonnes of paint in covering the painting’s 10,800 square metres. Once finished, the painting was placed along a fence at Brac airport on the Adriatic island of Brac, where a Guinness book of records representative examined it. Siroglavic is particularly keen to help those children in Croatia whose parents died or went missing during the Croatian Homeland War. He said, “It could also help other children in need.”

from the Croatian Times – Tuesday, 29 June 2010

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Filed under Info.


Phillipe Walker - Painter, Montreal, Quebec

Phillipe Walker - Painter, Montreal, Quebec

Phillipe Walker, a painter living and working in Montreal, Quebec with his incredibly talented craftsmanship of details and composition in the style of Old Masters but with an obviously modern vocabulary far greater than was available to them.

For me the tension between the religious Christian narrative and the eroticism, the essence of eroticism, he explores is fascinating, in the way I imagine the hypnotic stare of a snake fascinates its prey. I want to study these surfaces deeply and I am somewhat afraid of what I might find in myself as I gaze.They take me into territory that seems familiar but is utterly new, like a sharp edged dream. They surprise me. I am surprised by myself in front of them. One of his paintings in my house would force me and my visitors into conversations about the most important subjects of our life and death, destroying any tendency we might have to waste time in small talk .

Words from his web site:
Philippe Walker is a scientist and molecular biologist, and now artist, by profession. In his quest to rediscover and recreate the approach of the Old Masters, he has adopted their techniques, using traditional methods to prepare canvases and wood panels and using natural pigments mixed with black oil to ensure that his colours convey the brilliance and translucence that characterized old masterpieces.
Drawing his inspirations from the works of Old Masters of European paintings, Philippe Walker brings an unexpected modern twist to some of the most classic art scenes.

The artist transforms the vision of his predecessors to a distinctly hedonistic or provocative perspective, creating works of art that skillfully combine occidental artistic representation with symbolism, classical rules of perspective, composition and proportion and advanced expert technique.


Paul Lorenz - Artist, Paducah, KY

Paul Lorenz - Artist, Paducah, KY

February 11, 2013

Paul Lorenz is a seasoned professional artist, whose work since 1999 sells in European as well as in North American Galleries and exhibitions.

He’s home at the Studio Mars, Paducah, Kentucky. His website is filled with wonderful images, worth any amount of time to visit, www.paullorenz.com.

I love his mesmerizing, magical abstractions, combining incredible precision with a seemingly impossible degree of freedom. Any photographer would envy his ability to use his hand and mind to create stillness in movement, movement in stillness, an archer at the moment before release of the arrow. He has worked for years to achieve his effects; his start as an architect dealing with the arrangement of building materials translated to painting, dealing with painting materials, the parallels, the exploration of the utmost possibilities of the materials, and his evolution to mining and reworking some of his past works to reveal some surprises and better reflect his present mature abilities and intuitions… almost like the psychological journey many of us take as we get older, aiming to clear out the detritus of our past so we can have more scope in our lives today.

Your time will be well spent strolling through the gallery of Paul Lorenz’s art, reading his bio online

The slideshows of my interview with him are full of interest and charm:

How He Got Started

Media and Theme

Evolving To?

Marketing

Paul Lorenz black with yellow
large_Paul Lorenz BLACK WITH YELLOW OVAL 80x108 oil on canvas 2008
Slideshow Here

JANUARY 14 #15_water media on panel_5x7_2012
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MAY 25. 700 LINES_graphite,casein,ink on panel_12%22×12%22_2009-12
large_Paul Lorenz_MAY 25.

And he loves to use Upper Canada Stretchers for his work on canvas!!…

“your stretcher bars in my studio…they are the best!” Paul Lorenz

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Filed under Artist Bios - Canvassing the Artists, Featured.


Painting Survives Hurricane Sandy In New York City

Painting Survives Hurricane Sandy In New York City

September 28, 2016

One of the “nightmares” of any artist or art collector is disaster scenarios where artwork could easily be damaged or even destroyed. That scenario, unfortunately, became a reality for many of the residents of New York City in October of 2012 when Hurricane Sandy struck, causing extensive flooding of streets, homes and businesses, and cutting power in and around the city. Damage and debris made cleanup a slow and tedious job, meaning that some spaces were left under water and muck for weeks or even months.

An art collector living at a prestigious address on Park Avenue, just a short distance from the Metropolitan Museum of Art, bought a 4 by 6-foot painting by Claudia Pettis. It was shipped from Seattle, Washington, to New York, arriving just in time to be put in temporary storage by the delivery company as Hurricane Sandy hit. The floods from the hurricane swamped the storage warehouses in this area and nothing could be delivered for months due to the upheaval around New York City – trucking and transport remained at a halt. Ms. Pettis tried but could not locate the artwork.

The piece was finally delivered in its large wooden transport box two months after hurricane Sandy. It was learned that the warehouse it was stored in was under water for days without anyone being able to get to it. Ms. Pettis shared, “The clients fully expected the artwork had been damaged so when they heard the crate containing the painting had arrived, they had it taken apart in the lobby as they expected they would be making an insurance claim. However, the entire work was in perfect condition which was unexpected to all of us! The linen, having been in a damp warehouse, was undamaged and they checked it thoroughly for mold or cracking. It was fine. What is important to me is that the stretchers did not warp either. We have no idea if it was stored on its side or upright, or in water. The new owners did test the stretchers for any warping and there was none.”
Claudia Pettis: Rams Chained
The painting used Professional Stretcher Bars from Upper Canada Stretchers and well-prepared classical oil primer on Belgian linen. The work was oil paint, charcoal and wax, in a monochrome expressive but delicate style.

The work is entitled, “Rams Chained”, referring to the custom in Scotland of chaining or roping rams together to prevent them butting heads which could result in one or the other being killed. After about three days, the chain is removed and the rams, having had to work together during that time, actually become a support for each other when released.


Filed under USA ART EVENTS.


Painting On Linen Canvas

Painting On Linen Canvas

November 19, 2014

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Painting on Linen Canvas

Why paint on Linen? Well made cotton canvas is far more popular, and probably half the price or less. A Conservator friend, professionally trained in Europe as a young man, now with many years of experience repairing and restoring fine art works, says he prefers linen because it gives the highest quality it is possible to get in a painting surface. Of course, this is a somewhat subjective judgement.

The bottom line is that linen offers the professional artist a lot more control over the quality, elegance and longevity, of his/her painting surface than does cotton.

A Linen surface versus a canvas surface is like the difference between the smooth side of a masonite board and the rough side. Linen is exceptionally strong, light, and flat compared to canvas. Light canvas is floppy like muslin, light linen is still flat, accepts the glue and gesso sizing, and presents a perfectly smooth and strong yet somewhat flexible (depending on the stretching tension) surface to the brush. Linen has no equal for longevity whereas cotton gets yellow at the back, and can absorb moisture and gradually deteriorate over the decades. Linen offers a much wider variety of weaves and weights than does cotton.

In short, linen has a distinct interesting personality, compared to cotton, which is a highly standardized commercial product.

Many professional artists, masters of their art, insist on using only the best supports for their work. Starting with the best surface, properly sized and primed, on stretcher bars that remain straight under maximum tension, their minds and hands are free to explore the emerging work with no distractions over failing equipment. Linen plus Upper Canada stretchers ( which also have distinct personality) make the ideal supports, one might even suggest the word “sublime”.

Linen will likely behave differently from cotton as it is being primed by a pvc or rabbit skin glue, and gesso. The prudent way to get started would be to buy a piece and experiment with it. Some like to prime a piece larger than they need, than cut it and restretch it their desired size and tension. Be aware that linen, as it dries after priming, may put a lot more stress on the stretcher bars than you are used to with cotton. It is likely best to start out with pre-primed linen, which is nowadays an excellent, professionally made, product.

Here’s what our web site has to say about it:

Stable, durable, strong yet supple!
Linen, while more expensive than cotton, is the traditional choice for professional artists. Linen is the most durable fabric to put paint on and due to its strength, is ideal for large paintings . It’s warp and weft threads are equal in weight so less susceptible to the expanding or contracting problems created by moisture. Linen is very receptive to sizing and priming applications and it retains its natural oils which preserve the fiber’s flexibility and keeps the canvas from becoming brittle. Linen has a more “natural” weaved finish than cotton and is available in a variety of textures, weights and smooth or rough finish. Because of its strength linen holds up to a heavy painting hand and does not become slack as easily as cotton canvas.
With its proven longevity, natural strength and stable weave linen is an ideal canvas choice for paintings especially large ones. Linen canvas retains its natural oils preserving the fibers flexibility and your art. We are stocking three textures: Medium, Smooth and Fine Portrait for your varied artistic needs.

First spun about a century and a half ago linen canvas has a host of other benefits outside the world of art as well. The low ecological impact of the flax plant is one of them and Libeco-Lagae have taken care to see that the finishing steps in the process of creating linen canvas are likewise responsible.

we are now carrying Libeco-Lagae Certified Belgian Linen.

Here is a quote from another art materials supplier,

“Linen, although expensive, is traditionally the painter’s preferred fabric. There are four reasons for this. One, linen is the most durable of all fabrics for painting. This is because the warp and weft threads are equal in weight, making linen less susceptible to expansion and contraction problems from moisture. Two, linen retains its natural oils over time, which preserves fiber flexibility and decreases embrittlement with age. Three, linen is very receptive to sizing and priming films. And four, linen is characterized by a pronounced weave- less uniform and mechanical than that of cotton- and thus more interesting to paint on. Available in a variety of textures from smooth to rough, and in weights from light to heavy, linen maintains its distinctive weave even through layers of paint.
While linen is a more durable painting fabric than cotton, stretching raw linen requires more care and delicacy than does cotton and is far more time consuming. If you have never stretched a canvas, raw linen is not a good practice material. It is far too costly and finicky to attempt to stretch linen without experience. If you want experience, stretch cotton, which is available in inexpensive student grades. Imperfections can be smoothed with a pumice and these canvases provide a great surface for all kinds of painting.”
https://www.danielsmith.com/

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Owen Sound Artwalk! Community Project To Exhibit Murals Depicting Historic Buildings in 8 Downtown Venues

Owen Sound Artwalk! Community Project To Exhibit Murals Depicting Historic Buildings in 8 Downtown Venues

May 31, 2018

OWEN SOUND, ON – Artists and community members are hard at work preparing for Owen Sound’s inaugural ArtWalk!, an event taking place Saturday June 23rd from 10am to 4pm across the downtown. In preparation for the event, Owen Sound artist Billy Goodkat will lead downtown community members from groups including the Canadian Mental Health Association’s Leisure Links program and Community Living Owen Sound & District in a series of mural paintings, each depicting a historic Owen Sound landmark.

Owen Sound ArtWalk! with Upper Canada Stretchers

This celebration of Owen Sound’s rich and diverse arts community will see the community-created artworks displayed in 8 downtown galleries and venues on June 23rd:

  • 2nd Avenue Gallery
  • Owen Sound Multicultural Arts Festival at Georgian Shores United Church
  • Owen Sound Artists’ Co-op
  • Grey Gallery
  • Santa Fe Gallery
  • Intersections WOOD gallery & studio
  • Tom Thomson Art Gallery
  • Gallery de Boer

Owen Sound ArtWalk! was inspired by the desire of a local art supports manufacturer to do something special for the Owen Sound arts community. Bob Nadon founded Upper Canada Stretchers in 2002, and co-founded Upper Canada CNC Studio alongside renowned local designer Grant Nicholson in 2017. His homegrown businesses supply professional quality canvas stretchers and unusually shaped art supports to top artists, galleries, conservators and universities across North America.

“It’s really remarkable to be a part of this particular community, where we have such a wealth of artistic talent and venues,” Bob Nadon of Upper Canada Stretchers said. “We talked with Miranda Miller about possibly helping to organize a local initiative where we could donate some large mural canvases. She connected us with local artist Billy Goodkat, Maryann Thomas from Grey Bruce MOSAIC magazine and Amber Harwood at Georgian Bay Art Conservation, and the idea for this ArtWalk! became a collaboration that really took off from there.”

Goodkat and Miller will participate in a series of painting workshops with community groups in which participants will learn different painting techniques and create their own artwork on Upper Canada Stretchers canvas, within the guidelines of a stenciled historic building.

“It’s a great technique that allows participants to get as creative as they want to be, while giving us an outcome that has some structure and historic significance,” said Billy Goodkat, the artist leading the murals portion of the project. “Grant Nicholson at Upper Canada CNC Studios is creating signage for each gallery and also plaques for each mural, so these community groups will have credit for the art they’re creating and see it displayed in real galleries. Each individual can choose whether to sign their name to it or not. I think it’s a fantastic way to get more of our community involved in the arts and really give them something to feel proud of here in our downtown.”

The canvases built and donated by Upper Canada Stretchers range in size from 40” x 46” to 28” x 60”. Each stretcher is made of quality kiln-dried pine and crafted with UCS’s signature dovetail cornered, keyable design. The 100% pure, professional grade cotton duck canvas has been double-primed with acrylic gesso in preparation for the painters. Georgian Bay Art Conservation sponsored the painting supplies portion of the project, while MOSAIC Magazine assisted in organization and promotion.

“It’s really fantastic that we’re able to give artists and hobbyists in the community access to materials of this quality,” said Bob Nadon. “You can expect murals on stretchers and canvas of this calibre to last just as long as the historic buildings they’re painting. They’re built to last and aren’t going to warp or get bent out of shape with age, so I expect we’ll give our community member painters something to be proud of for quite a long time.”

One mural canvas has been reserved for the general public to paint at the Multicultural Arts Festival on June 23rd.

Organizer Maryann Thomas of the Ginger Press and Grey Bruce MOSAIC magazine hopes the murals will find permanent homes in relevant Owen Sound locations. “We think it would be great to have some of these murals hung permanently in the buildings they depict, and are reaching out to owners and managers now to see if this is possible,” she said.

Tags: company news Large Canvas art Murals


Owen Sound Artwalk! By The Numbers

Owen Sound Artwalk! By The Numbers

June 18, 2018

Owen Sound ArtWalk CMHA mural painting

“Do what you love and you’ll never work another day in your life.”

I love that my work gives me the opportunity to paint for folks. Helping people “get their creative on” with my Art Nights has proven even more rewarding, so when I was asked to get involved in the inaugural Owen Sound ArtWalk!, I knew this was something I wanted to carve time out to do.

I think the easiest way to explain the concept is by the numbers:

  • 8 mural canvases 5-feet across, manufactured right here in Owen Sound; seven of which will depict an historic Owen Sound scene or building: the harbour, Harrison Park Inn, City Hall, the old Post Office, CP Rail Station (now Mudtown Station), the Library, and the Farmers’ Market.
  • 7 local galleries displaying community-created art and offering arts programming June 23: Owen Sound Artists’ Co-op, Santa Fe Gallery, Grey Gallery, Santa Fe Gallery, Intersections WOOD Studio & Gallery, Gallery de Boer and the Tom Thomson Gallery.
  • 4 awesome sponsors: Upper Canada Stretchers and sister company Upper Canada CNC Studio, Grey Bruce MOSAIC magazine, Georgian Bay Arts Conservation
  • 3 community mural sessions with painters from Canadian Mental Health Association, Community Living Owen Sound & District and Reach Centre Grey Bruce.
  • 1 live community mural painting on the last of our 8 canvases, at Georgian Shores United Church during the Multicultural Arts Festival on Saturday June 23.

Maryann Thomas at the Ginger Press has done a bang-up job of organizing the exhibition of the murals in each of the above-mentioned galleries. Miranda Miller put together these community group painting sessions, and we’ve had a great time getting inspiring our painters to give it a whirl on a large canvas.

There’s really nothing so freeing as being given a palette and brush and told to go nuts, is there? At each session, I shared a few painting techniques with our artists but for the most part, they had free rein to paint to their heart’s content.

Upper Canada Stretchers manufacturing facility

And as for me, well… I was a kid in a candy store at the Upper Canada Stretchers & CNC Studiomanufacturing facility. Owner Bob Nadon invited me up to see where the magic happens, and it blew me away that we have companies like this largely operating under the radar right here in Owen Sound.

These guys are doing canvases and art supports as big as 30 feet across, in every shape you could imagine, and shipping them all over Canada and the US. It was a bit of a kid-in-a-candy-store experience for me… imagine having a 30’ canvas to mess with! Aside from a small sign at the end of their laneway across from Tenneco, you’d never know they were there.

And that’s the real beauty of the Owen Sound arts community, isn’t it? We’re chock-full of hidden gems and undiscovered talent around here–the diversity and quality of our Artists’ Co-op is a testament to that.

It was great to see our community group artists open up over the course of each painting session and really get into it. In each group, we had a few people who initially hung back.

“I’m not really any good at painting.”

“I can’t draw, I’ll just watch.”

“I’ll just ruin it.”

Mural painting at Community Mental Health Association

We intentionally chose impressionism and abstract painting techniques as the basis for each mural session. As I told our painters, “You can’t break it.” And sure enough, as we worked away adding layers and new colours and trying out different brushes, more people joined in.

Inhibitions fell away.

Fears and worries were pushed off to the side.

Brush strokes became bigger, bolder. Conversation lighter. Smiles freer.

Of course, you can’t have a proper art party without allowing for a wee bit of shenanigans. At Community Living, a few of our artists got into painting the scenes from their t-shirts on smaller canvases we’d brought for practicing the painting techniques.

Community artworks created as part of ArtWalk

I present to you: John Cena!

So you can add to our ‘ArtWalk! by the numbers’ figures above:

  • 20+ community members inspired to paint
  • 6+ hours of collaborative painting
  • 1 wrestling legend brought to life by what might be his biggest fan

In the coming week, I’ll be layering stencils over each of our murals and creating the historic Owen Sound scenes mentioned above. I hope you’ll join us Saturday June 23rd to see what ArtWalk! is all about. Come by the downtown venues hosting our community-created murals and check out the programming each gallery is offering.

Swing by the Multicultural Arts Festival and try your own hand at mural painting… you can’t break it! And you’ll be amazed at what a group of people given permission to just give it a go can create.

Here are the most important numbers of all: June 23, 10am-4pm

See you at ArtWalk!

Tags: Art Events Artist sponsorship Community company news


Ohio Artist Tim Lancaster's Heavy Duty Stretcher Bars Experience

Ohio Artist Tim Lancaster's Heavy Duty Stretcher Bars Experience

July 11, 2018

Ohio artist Tim Lancaster wrote in to share his experience with our heavy duty stretcher bars, as well as the results of his framers stress-testing an 85″ bar. He shared this excellent piece of work on a 60 x 60″ UCSArt.com canvas stretcher, as well.

Ohio artist Tim Lancaster

“I’m writing to say a quick thank you to all involved with the production and delivery of these very fine stretchers. When my work at last became truly marketable, I researched for a high-quality supplier to build stretchers for me and I feel you have been the best I could have hoped for.

The framers who stretch my canvases were telling me how well built your stretchers are and how impressive the whole concept is. They tested one of the 85-inch stretcher bars after being exposed to lots of humidity and heat it varied from end to end less than a 1/4 inch. They felt that was utterly amazing. Thank you. I look forward to our mutual successes!”

~ Tim Lancaster, FlesGnoodePaintings

Thank you for sharing your experience with us, Tim!

Want to learn more? Check out our FAQs and contact a canvas stretching expert at Upper Canada Stretchers to start planning your next work on canvas.

Tags: Choose the Right Stretcher Bars Large canvas


New York Artist Geoffrey Harding Of The Woodland Indian

New York Artist Geoffrey Harding Of The Woodland Indian

Geoffrey Harding new york artistMy work (Geoffrey Harding) about the lore of the Woodland Indian, especially the Haudenosaunee is currently being shown in a gallery in Newfane NY called Shoppe On Mainwith photography viewable on Facebook on the site “Woodland Arts Studio“.

I have been using Canada Stretchers since 2001, and find they are best bones you can buy and use the on the market, the miters are right on, and they also measure out as advertised, plus when ordering over the phone the staff is more than accommodating and your order is alway neatly wrapped and well protected and is shipped within a few days. I have many artist friends and always highly recommend Upper Canada Stretchers to them.

Self-motivated and self directed, I began to draw and paint at a very young age and developed a uniquely personal style in the years I was dedicated to creating his art. My devotion manifests itself in master of pencils, acrylics, watercolors and oil. I currently live and work in upstate New York. from a studio overlooking Lake Ontario. I derive inspiration from the surroundings landscape and my abiding love of nature: Plants, animals / natural surroundings that are essential resources of imagery for inspiration. Correlating these with Native philosophies I created a reflection of a now-vanished way of life.

Growing up in the shadows of Fort Niagara exposed me to the history and intrigue of the 18th Century. My deep commitment and sincere connection to the Eastern Woodland Indian gives power and life to my paintings. As an artist I feel that when you look into the eyes of my subjects you should be looking into their souls. I exclusively use Native people as models in order to insure the honesty and quality of my artwork.

Harding participates in “Living History events” or re-enactments of the French and Indian and Revolutionary War periods throughout Western New York and Pennsylvania. His paintings have been long sought after as cover art for publications such as Muzzleloader Magazine, On The Trail, Susquehanna Life, Capstone Press, Backwoodsman and numerous book covers for Wennawoods publishing and other historic publications.

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